Review: Who is Mary Sue by Sophie Collins

In Sophie Collins’ Who is Mary Sue? (Faber 2018), the interrogative provides backdrop to the deep problems of privilege, identity, gender, and Collins shapes her collection to surprise as much as shock us awake. And she not only makes the world we already know new through poetic image, but returns us to the ignored, truncated, and occluded voices and persons… Read more →

Review: The Final Voicemails by Max Ritvo

Max Ritvo’s second and final collection of poems, The Final Voicemails, has been published posthumously by Milkweed, two years after his death from Ewing’s sarcoma on August 23, 2016. Ritvo asked Louise Glück to select the best poems of what remained, both from earlier work and poems written toward the end of his life, a time of which Glück notes… Read more →

Review: Wilder by Claire Wahmanholm

Wilder by Claire Wahmanholm is a rare prophetic glimpse into a future haunted by the now. An alchemist of language, Wahmanholm’s first full-length book since her award-winning chapbook, Night Vision, is a revelry far beyond what I believed imagination could conjure. She gives us a complete stranger of a world, a planet ruled by its own profound logic of consistency… Read more →

Editors’ Prize 2018 Winners!

Thank you to all those who submitted for allowing us to consider your work for the Editors’ Prizes. This year, we received over 300 submissions in each genre, and our team of readers pored over every page. While the high quality of submissions this year meant our decision was difficult to make, we have at last decided on two winners.… Read more →

Review: Witch Wife by Kiki Petrosino

  Little gal, who knit thee? Dost thou know who knit thee? In “Self-Portrait,” the first poem of Kiki Petrosino’s third poetry collection, Witch Wife, the speaker introduces themes of origins and girlhood in the charming and danger-tinged language of fairy tale. The poem continues: “Gave thee milk & bid thee beg / Slid a purse between your legs.” This… Read more →

Review: The Undressing by Li-Young Lee

In a 2007 interview with Tina Chang, for the Academy of American Poets, Li-Young Lee, speaks to the the poem’s genesis as inseparable from the rhythms of human nature, and from world itself: “There’s no way to account for any thing or any event. If you rigorously dissect it, you realize that everything is a shape of the totality of… Read more →

Review: The World Goes On by László Krasznahorkai

A deep, unsettling current runs through the work of Hungarian writer László Krazsnahorkai. His prose simmers and threatens, never reaching for brutality yet somehow arriving easily on the doorstep of the apocalyptic. For him. the story is in the sentence, and his sentences stretch on and on, meandering across pages and moods, shifting through phases, at times whimsical, at others… Read more →